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2012 Valentine Trade

The natural world is my muse. The complex process of printmaking Ė from the selection of plate surface to the choice of inks Ė is inspired by the subject matter. The concerns of our environment, manís impact on his surroundings, and the future of the planet influence my subject choices.  There is beauty in small moments; my goal is to capture the essence of those moments.

I print at Slugfest in East Austin. You can see more of my work by visiting www.tbondartist.com

Art is something that has always been a part of my life and it is quite unimaginable to me to have a world without art. It is a passion and the place where I can feel dreams coming true.  Printmaking has the added adventure with the image being revealed for the first time on the press. It is quite a grand experience!  

ink, paper, image
alone, working happily
now one with myself

My art is a struggle to communicate those things experienced in the isolation of our souls.
       Lately when I create art it is about getting out of my own head. Letting go of control over the world and planning every minute. It is a kind of meditation that allows my emotions to spill onto the page without being filtered, judged, and edited. I try to let my subconscious direct the process. I like to use organic materials I collect from my yard and on walks. I also use cut paper and found objects in my work. I love that what is essentially a weed can turn into something beautiful on the page and it has given me a new way of looking at the world around me. I have found that art helps me to be more intuitive, creative, and relaxed in all aspects of my life.

My work celebrates the spirit of the people and places I have encountered. Whether this is represented through color, choice of line carved, etched, molded, drawn or painted through the conscious use of mark making via time honored traditions of printmaking techniques, I am interested in honoring the subject. So much is required in developing an image; it serves as a meditative device. The push and pull during the creation process is part intuitive, reactionary, and peace maker.
I find myself combining the past and present on a routine basis in my work. How may I provide the viewer with a snapshot that encapsulates people, place, time? How may I engage the visceral response of the audience? The stories I have been witness to, the beauty I have encountered and the decay of the previously celebrated: all find a home in my heart and art. My work has been described as"visual haiku.

My work is a constant search of knowledge, both personal and external. I concentrate on the consideration of life, time and space. My work synthesizes mythology and reality into dynamic environments in which spaces expand and contract unexpectedly. Using energetic patterns and lines, I create planes intertwined with people and animals creating an exuberant narrative. Recently I extended my interest into natural motifs in a series of mountain and forest landscapes, in which a principle moment appears frozen. Challenging the notions of time and sequence, in which the viewer completes the narrative.

I discovered printmaking relatively late in life when I took my first printmaking class in 2001. I like the process and the surprises inherent in printmaking. I am continually amazed that I am able to overcome the mess and the dirt that are part of printmaking, but I like the creativity the process brings about. 
I often use my own handmade paper for my printmaking, and I love how the unique characteristics of the paper influence the final print. I am also a gardener, and this is perhaps why I like to use images that appear in nature in my artwork (and in some ways my art is an extension of my gardening). 


Memory, location and nature, the inspirations 
Texture and pattern, the fascination
Printmaking, the adventure.
I'm fascinated with the printmaking process, especially the delightful surprises that come the first time a new plate is pulled. I gravitate towards the textural effects of collagraphs finding platemaking is only limited by one‚€ôs imagination. My work has been exhibited throughout the US but primarily in Texas, with a second solo show on the books for Chicago in 2015.
I am an artist with a background in graphic design, painting, drawing and photography.  I am interested in exploring various ways of printing without a press.  I have played with monotypes, cyanotypes, rust prints, eco-prints and my own original stencils.  Currently I am experimenting with a Silhouette mint machine to make printing plates from my photographs.  I then create a relief print on watercolor paper and hand color them with watercolor paints.

WPA Event Details
WHERE:
WPA Studio
CONTACTS:
Chair: Angela Hayes
Participate
Event Deadline
The deadline for this event (2/18/2012) has passed.