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2007 Multiple Originals XII

I was diagnosed with talent at an early age, and was always the artist of the family. I was proud of my draftsmanship, but as time went by, I realized that I couldn't take credit for my talent; it was a gift. What I do take credit for is the effort I have made through the years to master my craft, those areas of printmaking that I focus on: mezzotint, etching and linoleum. My preferred subject is the human face and figure.  I am fascinated by faces, and in trying to capture them I increase my understanding of what it means to be human.
I respond to both my physical location and the environment of ideas. Expressing contrasts, making comparisons and weaving dichotomies into the meanings of images. I combine traditional and non-traditional techniques, hand-coloring, collage and chine colle.

The natural world is my muse. The complex process of printmaking – from the selection of plate surface to the choice of inks – is inspired by the subject matter. The concerns of our environment, man’s impact on his surroundings, and the future of the planet influence my subject choices.  There is beauty in small moments; my goal is to capture the essence of those moments.

I print at Slugfest in East Austin. You can see more of my work by visiting www.tbondartist.com

I grew up in the tropical sunlight of the Gulf Coast of Texas, surrounded by a rich diversity of flora and fauna. Strong color and attention to detail are integral aspects of my work in art, whether abstract or realistic in style. Much of my work in painting and serigraphy is pure abstraction, influenced by constuctivism, formalism, and optical art. Color and light symbolize emotional, sensual, and spiritual realms for me; structure and clarity of form represent intellectual, objective, and physical realms. Some of these works are concentric in composition; some are fragmented and then layered; some are cut up, cut out, collaged. All can relate to a sense of self in some way.
Veronica Ceci is an artist, Master Printer, independent curator and educator living in Austin, TX. Her work has recently been featured in exhibitions at The Manhattan Graphics Center in NYC, The Art Museum of Southeast Texas in Beaumont, TX and Werkstadt in Berlin, Germany.
"'s I have specialized in linoleum reduction cuts for 18 years.  My subject matter ranges from an individual flower to vignettes of animal life, often featuring cats, my favorite models.  All of my designs are original and often represent the development of a passing thought ("if cats can see only black and white, do you suppose they dream in color?").  Although block prints, and specifically reduction cuts, do not lend themselves to fine detail, I thrive on achieving very complicated designs with as many as a dozen over-printings to reach the final product.  I develop my ideas from thumbnail sketches that are then drawn to full size.  Once I have completed the composition, I transfer it to the linoleum, and begin carving for the first printing.  I use water soluble printers ink on hot press water color paper.  The multiple printings result in a final print that is heavy with ink, with a distinct texture."
 
Anne Gaines has received several awards: The most recent award is Best in Media at the 2010 Rockport Art Festival, July 3 & 4, 2010.  Other Awards include:  Sun Newspaper's 2005 "Readers Choice Best Artist" for Fort Bend County, Best in Media at the 2003 Rockport Art Festival, First Place and Best of Show at Texian Market Days at the George Ranch, for Blue Eyes and Bluebonnets and Beneath the Rig.  Recent shows include the Bayou City Art Festival in Downtown Houston 2005, 2007 and 2009, the Rockport Art Festival in 2006, 2008, 2009, 2010 and 2011, and the Woodlands Waterway 2007 and 2008.  She exhibited at the inaugural Art in the Square in Georgetown, Texas in 2009, and again in 2010.  She was honored to be the Featured Artist at the American Petroleum Institute's booth at OTC in May 2005, and the SNAP Gala at the Square Moon Gallery in the Houston Heights in 2007.  
   
You can find Anne's linocuts at Treasure Hunters Gallery in Historic Richmond TX.
My art is a struggle to communicate those things experienced in the isolation of our souls.
       Lately when I create art it is about getting out of my own head. Letting go of control over the world and planning every minute. It is a kind of meditation that allows my emotions to spill onto the page without being filtered, judged, and edited. I try to let my subconscious direct the process. I like to use organic materials I collect from my yard and on walks. I also use cut paper and found objects in my work. I love that what is essentially a weed can turn into something beautiful on the page and it has given me a new way of looking at the world around me. I have found that art helps me to be more intuitive, creative, and relaxed in all aspects of my life.

I strive for Magritte's basic intention, to make art with a "disturbing poetic effect."ť My work presents exotic subjects in the drama of black and white, or the subtle monochromatic tones of printers' inks. The prints are based on my photos of real places and slightly mysterious objects that are embraced by a post-apocalyptic anxiety, which induces a state of psychological unease in the viewer. The images raise questions, but knowing the back story doesn't necessarily provide comfort. The result is by turns intimate, earthy, fragile, universal, and contemporary. The images are full of the organic subtlety showing the naked beauty of weathered rock and plants, contrasted with man-made architectural elements. The organic elements complement the man-made. In purely aesthetic terms, the works use an interplay of tones and textures, with formal qualities of composition in the arrangements of objects under the viewer's gaze. The unfamiliar induces a state of ambiguity mixed with a strange longing or nostalgia. The camera captures temporal events, figurative and narrative, fragments in the cycle of life and death. History is revealed in multiple layers with an underlying order and inherent drama exposed in contrast and detail, painterly and sculptural at the same time.

My Dad died in 2006 after much suffering. Right after I returned to Houston, a blue jay flew into my kitchen window. The impact broke his neck. A few weeks later, not really knowing where I was going with my art, I looked in the flower bed and found his skull and began sketching. As I was trimming some bushes another day, I found his wing--a bone with  the feathers still attached. More sketching. More studying. More searching.

My Dad asked me right before he died, "What is going to happen? Is there something else?" I could not answer his question. But I have found my own answer.
 
I am content in my belief that each day gives us quite enough, if we take the time to look. In the end it is all of life's detritus littering my landscapes--physical and personal--that bring meaning to my life, and my work.
My art is a gift from my Father. I am blessed beyond measure. It is indeed a part of who I am.

Experimentation with various mediums and the manipulation of those mediums is a driving force which provides interesting puzzles in need of solving. When I am in that place...experimenting and trying to solve that puzzle...I am joy filled.

 
I also like to work in series. It is freedom giving. Some series never make it past the first in the series, but had their beginning with a series in mind. Series tend to allow for building. A new concept is not needed each time I approach a blank paper or canvas. There is already something their awaiting to be built upon.


Memory, location and nature, the inspirations 
Texture and pattern, the fascination
Printmaking, the adventure.


Anna Marie Pavlik                                                                                417 Wapping St. Frankfort, Kentucky  40601

ampavlik11@gmail.com    512-517-5233                                                                                               resume page 1 of 2

 

AWARDS

KENTUCKY STATE FAIR, First Prize Printmaking (2017)

KENTUCKY STATE FAIR, First Prize Printmaking (2016)

KENTUCKY STATE FAIR, Best of Show Fine Arts & Craft, Purchase Award (2015)

KENTUCKY STATE FAIR, First Prize Printmaking (2014)

KENTUCKY STATE FAIR, First Prize Printmaking (2013)

FLORAL FUSSION, Best Two Dimensional Art Award (2012)

KENTUCKY STATE FAIR, Best in Show Fine Arts & Craft, Purchase Award (2011)

 

SELECTED EXHIBITIONS

2018 KENTUCKY WILDLANDS, Revelry Boutique Gallery, Louisville, Kentucky (KNLT group)

2018 RANDOM OBJECTS, Dougherty Art Center, Austin Texas (group)

2017 ETCHED THOUGHTS, Evansville Museum, Evansville, Indian (solo)

2017 225: ARTISTS CELEBRATE KENTUCKY’S HISTORY, Kentucky Artisan Center at Berea

2017 PORCELAIN, GLASS, & ETCHING, River Gallery, Chattanooga, Tennessee (3 person)

2016 WANDERLUST, Craft(s) Gallery, Louisville, Kentucky (solo)

2016 AT THE RIVER’S BEND, Evansville Museum, Evansville, Indiana (juried) 

2016 WATER: WE ALL LIVE DOWNSTREAM, Ripple River Gallery, Aiken, Minnesota (Invitational)

2016 GREAT IMPRESSIONS: PRINTS BY KENTUCKY ARTISANS, Kentucky Artisan Center at Berea

2015 FLORAL FUSION, Scott County Cultural Center, Georgetown, Kentucky

2015 POINT OF VIEW, River Gallery, Chattanooga, Tennessee (Two person)

2014 SECRETS OF PRINTMAKING, Northern Prints Gallery, Duluth, Minnesota (invitational)

2014 ART FOR EARTH DAY, NEW HORIZONS, Waters of Superior, Duluth, Minnesota (group)

2014 HOT, BRIGHT, & BOLD, Completely Kentucky, Frankfort, Kentucky (solo)

2013 SELECTIONS, Gallery Hop featured Artist, Kentucky Museum of Art & Craft, Louisville, Kentucky

2013 ETCHINGS, Ripple River Gallery, Aitken, Minnesota (solo)

2012 FULL SPECTRUM, Philadelphia Museum of Art, Philadelphia, Pennsylvania (curated)

2012 EARTHDAY, Northern Prints Gallery, Duluth, Minnesota (invitational)

 

PUBLIC COLLECTIONS                                                   GALLERY AFFILIATIONS

Amity Art Foundation, Inc, Woodbridge, CT                                    Bluff Country Artist Gallery, Spring Grove, MN

Bickerstaff, Heath, Smiley, et al, Austin, TX                                    Cedar Rapids Museum of Art- shop, Iowa

Brown Manufacturing Company, Austin, TX                       Completely Kentucky, Frankfort, KY

Dain Bosworth, Minneapolis, Minnesota                              Craft(s), Louisville, KY                       

Hallmark Corporation, Kansas City, Missouri                      Iowa Artisans Gallery, Iowa City, IA 

Kentucky State Fair, Kentucky Artist Collection                  Grand Hand Gallery, St. Paul, MN 

Mexic-Arte Museum, Austin, Texas                                     Kentucky Artisan Center at Berea, Berea, KY

Minnesota, Mining & Manufacturing, St Paul, MN             Minnesota Center for Book Arts, Minneapolis, MN

Philadelphia Museum of Art, Philadelphia, PA                    Northern Prints Gallery, Duluth, MN

Post Properties Collection, Dallas, Texas                             Ripple River Gallery, Aitkin, MN

Regents Hospital, Wayzata, Minnesota                                 River Gallery, Chattanooga, TN                  

Sower Foundation, Kansas City, Missouri                            Waters of Superior, Duluth, MN

Springfield Museum of Art, Springfield, Missouri              

Sprint Corporation, Overland Park, Kansas                         

Tweed Museum of Art, Duluth, Minnesota                          

University of Minnesota, Minneapolis, MN                        

University of South Dakota, Vermilion, SD                         

 

Anna Marie Pavlik                                                                                417 Wapping St. Frankfort, Kentucky  40601

ampavlik11@gmail.net     512 517-5233                                                                                             resume page 2 of 2

 

ARTIST STATEMENT

Growing concern for the survival of natural areas and the need I perceive in people to understand their relationship to the environment have encouraged me to work with nature related themes.  My images are focused on revealing and presenting how nature has functioned.  I extract the concepts which I visually explore, from my observations of natural sites, science publications, and maps.  By creating these works I hope to direct the viewer’s attention to the irreplaceable value, sublime beauty, and mystery found within our natural environment. 

 

LECTURES/RELATED ACTIVIES

2017 Soft Foam Printing Workshop, Evansville Museum, Evansville, Indiana

2016 Energy Choices & Printing, Josephine Sculpture Garden Arts Festival, Frank fort, Kentucky 

2014 Soft Foam Printing Workshop, Porcupine Mountain State Park, Michigan 

2014 Soft Foam Printing, Quetico Provincial Park, Dawson Campground, Ontario, Canada   

2013 Soft Foam Printing & Mural Project, Josephine Sculpture Garden Arts Festival, Frank fort, Kentucky 

2013 Pasta Machine Printing, Ripple River Gallery, Aitkin, MN

2012 Artist in Residence, Petrified Forest National Park, Relief Printing Workshop, Arizona

2012 Art in the Garden, Etching presentation, Liberty Hall Frankfort, Kentucky

2011 Soft Foam Printing Workshop, Josephine Sculpture Garden Arts Festival, Frank fort, Kentucky 

2011 Artist in Residence, Catoctin Mountain Park, Presentation and Workshop, Maryland

 

PUBLICATIONS (contributing artist)

2014 Historic House and Tree Tour, Tree Coalition Publication

2013 Tree Tour, Tree Coalition Publication

2008 Trail Guide to the Northland Experience in Prints and Poetry, Calyx Press

2006 Response, Calyx Press, Lake Superior Writers & Northern Printmakers Alliance

2005 Dust & Fire, Bemidji State University Publications, Maureen Gibbon

 

EDUCATION

Bachelor of Arts, Studio Art 1974; University of Minnesota, Duluth

Drafting Certificate 1976, St Paul Vocational School, St Paul, Minnesota 

Bachelor of Science, Mechanical Engineering 1978; ICS Pennsylvania

 

BRIEF BIOGRAPHY

I was born in Pittsburg, Pennsylvania and after moving multiple times my parents chose Minnesota where I lived until relocating to Austin, Texas.  I now reside in Frankfort, Kentucky.  My college years were concentrated in Duluth attending St. Scholastica, the University of Minnesota, and the University of Wisconsin, Superior.  This was followed by a Drafting Certificate from St. Paul Vocational School leading to a B.S. in Mechanical Engineering during employment with Minnesota, Mining & Manufacturing.  My work at 3M was focused on Product Development.  I hold one patent for a wire holding devise.  The need for a greater involvement with art resulted in a membership at Flatbed Press, a print publishing studio in Austin, Texas.  Participation in the Serie Project at Coronado Studio and work at Slugfest Printmaking Workshop evolved into setting up my own studio.  Focus on the intaglio process and stratograph, a monoprint technique have resulted in several bodies of work.  "Personal Poems” is a series of small biographical etchings dealing with issues of adulthood.  "Ideal Mechanical Advantage” presents the transition from the factual world of engineering to sensory perception.  "Global Fables” is a collection of pieces that study of the tradition of a short story with a moral from diverse cultures.  I am now focused on work which involves the perilous future of the natural world.  The common factor in each of these series is the narrative thread which each piece presents.  

Figurative work, always a passion, has become the focus of this recent body of work. Combined with mythology, the use of symbols and mythological creatures such as mermaids, I create a classical context for contemporary treatments of the figure.

I am drawn to many aspects of printmaking. I’ve always liked texture and variety of printmaking papers, the smell and colors of the inks, and the fact that you can do multiples. There is something about the transformation that happens from the plate to the paper and the effects you can get that’s just magical.
It is never easy to live a busy life and still have the time to create masterful works of art. Those who achieve this effort should get a medal or at least a giant chocolate donut every morning until life gets easier. This is my life in a donut box. I am ready for an artistic revolution! I am ready to put art on the top of my list and see my artworks come to life with a new vibrancy! Check-Mate! I'm there!
I'm fascinated with the printmaking process, especially the delightful surprises that come the first time a new plate is pulled. I gravitate towards the textural effects of collagraphs finding platemaking is only limited by one’s imagination. My work has been exhibited throughout the US but primarily in Texas, with a second solo show on the books for Chicago in 2015.
An interest in Japanese Ukiyo-e and German Expressionist woodcuts started my fascination with printmaking. It was my major at UT Austin, where I also learned silkscreen, lithography, and etching. The variety of printmaking techniques allows infinite possibilities for creating imagery. Currently I am focusing on linocuts and plexiglass engravings with monoprinting. I enjoy making multiples and find it a great method for sharing artworks with others.
I have created visual art all my life and my work has been a reflection of my surroundings, ongoing circumstances, memories, emotions and imagination. Most of my artwork includes women because that's how I've experienced life. Encircling movements occur often, a reflection of universal natural currents, the continuous flow of ideas, communication, and time.
Several years ago, I took my first college-level photography class. I fully expected to learn only the basics and was surprised when I was confronted with this thing called Art. I caught the art-bug, and have been learning about and attempting to make it ever since. After taking several photography classes, I began to feel the need to manipulate my photography by cutting it up to form collage, drawing on it and incorporating text. I took a bookmaking class, which eventually led me to change my major to printmaking. Printmaking was ideal for me because it allowed me to work both digitally and hands-on. It was very liberating because it lends itself experimentation and invention. In many ways, Printmaking is mixed media because of the varied ways of working. Computer, drawing, painting, sculpting and photography skills all come in handy in printmaking. Printmaking is not a perfectionist�s art form, it�s messy, results are often unexpected and control does not come easy. Images are, however, reproducible allowing for another chance at getting it right. For these reasons, I feel that it is perfect art form for learning life skills.
Exhibition Details
WHEN:
11/30/2007 - 1/7/2008
WHERE:
The Dougherty Arts Center
CONTACTS:
Chair: Angela Hayes
Co-Chair: Belinda Casey
Participate
Event Deadline
The deadline for this event (11/27/2007) has passed.
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