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Southern Graphics Conference

ink, paper, image
alone, working happily
now one with myself

My work manifests itself in my fascination with illustrated literature and surrealism. I like to pair the whimsy of children's books with the strange, and sometimes, grotesque. Through narrative, I am able to create unique characters and illusory worlds. 
My work celebrates the spirit of the people and places I have encountered. Whether this is represented through color, choice of line carved, etched, molded, drawn or painted through the conscious use of mark making via time honored traditions of printmaking techniques, I am interested in honoring the subject. So much is required in developing an image; it serves as a meditative device. The push and pull during the creation process is part intuitive, reactionary, and peace maker.
I find myself combining the past and present on a routine basis in my work. How may I provide the viewer with a snapshot that encapsulates people, place, time? How may I engage the visceral response of the audience? The stories I have been witness to, the beauty I have encountered and the decay of the previously celebrated: all find a home in my heart and art. My work has been described as"visual haiku.

I was living in New Mexico when a fortuitous requirement of printmaking coursework for my graduate program in art therapy led me to expression in another medium. Since that time I have been exploring printmaking and creating soft ethereal-like inspirational images. The circle or circular movement can often be seen in my artwork. The circle is a universal symbol with extensive meaning--a continuous symbol that has no beginning and no end. Throughout my life I have created circles, benefiting from the sense of comfort, peace, and total integration.

How I feel when I am making art is perfectly described in what Don Miguel Ruiz says: "When you are in your creation and you are doing what you love to do, you become what you really are again. You are not thinking in that moment; you are expressing.” I love being in that space where I am not really thinking, I am expressing what I am feeling inside. One could say that I make art to please the eye and touch the soul.

My art is a gift from my Father. I am blessed beyond measure. It is indeed a part of who I am.

Experimentation with various mediums and the manipulation of those mediums is a driving force which provides interesting puzzles in need of solving. When I am in that place...experimenting and trying to solve that puzzle...I am joy filled.

 
I also like to work in series. It is freedom giving. Some series never make it past the first in the series, but had their beginning with a series in mind. Series tend to allow for building. A new concept is not needed each time I approach a blank paper or canvas. There is already something their awaiting to be built upon.


Memory, location and nature, the inspirations 
Texture and pattern, the fascination
Printmaking, the adventure.

I currently create nature-related abstract prints. The line work images represent a small part of a natural being, such as an insect. As I work to create these images, I abstract them as I am sketching before I begin cutting my plates.

I also have created a series of prints based on imagery in an old book about geography: Map, Mail Stops, Contour, and Flight Path

And, I occasionally create a representational print such as Medium Brew, for the 2016 WPA Trade.

I have a fascination with nature and I love collecting seeds, bones, and oddities I find in the streets. These often inspire ideas along with images I dream. The evolution of those ideas through drawing and the solar intaglio printmaking process is challenging but exciting. Imagination plays a big part in the formation of images and I find it satisfying when it all comes together.
Exhibition Details
WHERE:
San Francisco
CONTACTS:
Chair: Theresa Bond
Co-Chair: Carol Hayman
Participate
Event Deadline
The deadline for this event (3/1/2014) has passed.